Best Reads of 2012

A writer friend of mine (Coene) did a best reads of 2012, and I think that after such an active year of reading wonderful literature, I ought to do the same. I read a lot last year. A LOT. Nine times out of ten, as soon as I finished the last page of one book, I searching my bookshelves and Kindle for the next read. I hit my goal of 40 books last year, but among them, these stood out as the best:

 

1. The Glass Bead Game, by Hermann Hesse

“The poet who praises the splendors and terrors of life in the dance-measures of his verse, the musician who sounds them in a pure, eternal present—these are the bringers of light, increasers of joy and brightness on earth, even if they lead us first through tears and stress. Perhaps the poet whose verses gladden us was a sad solitary, and the musician a melancholic dreamer; but even so their work shares in their cheerful serenity of the gods and the stars.”

-From The Glass Bead Game, by Hermann Hesse

 

2. For Whom the Bell Tolls, by Ernest Hemingway

“Dying was nothing and he had no picture of it nor fear of it in his mind. But living was a field of grain blowing in the wind on the side of a hill. Living was a hawk in the sky. Living was an earthen jar of water in the dust of the threshing with the grain flailed out and the chaff blowing. Living was a horse between your legs and a carbine under one leg and a hill and a valley and a stream with trees along it and the far side of the valley and the hills beyond.”

-From For Whom the Bell Tolls, by Ernest Hemingway

 

3. Steppenwolf, by Hermann Hesse

“Humor alone, that magnificent discovery of those who are cut short in their calling to highest endeavor, those who falling short of tragedy are yet as rich in gifts as in affliction, humor alone (perhaps the most inborn and brilliant achievement of the spirit) attains to the impossible and brings every aspect of human existence within the rays of its prism. To live in the world as though it were not the world, to respect the law and yet to stand above it, to have possessions as though ‘one possessed nothing,’ to renounce as though it were no renunciation, all these favorite and often formulated propositions of an exalted worldly wisdom, it is in the power of humor alone to make efficacious.”

-From Steppenwolf, by Hermann Hesse

 

4. The Toilers of the Sea, by Victor Hugo

“Then overwhelmed by the sense of that unknown infinity, like one bewildered by a strange persecution, confronting the shadows of night, in the presence of that impenetrable darkness, in the midst of the murmur of the waves, the swell, the foam, the breeze, under the clouds, under that vast diffusion of force, under that mysterious firmament of wings, of stars, of gulfs, having around him and beneath him the ocean above him the constellations, under the great unfathomable deep, he sank, gave up the struggle, lay down upon the rock, his face towards the stars, humble, and uplifting his joined hands towards the terrible depths, he cried aloud, “‘Have mercy.’”

From The Toilers of the Sea, by Victor Hugo 

 

5. A Man in Full, by Tom Wolfe

“One of the few freedoms that we have as human beings that cannot be taken away from us is the freedom to assent to what is true and to deny what is false. Nothing you can give me is worth surrendering that freedom for. At this moment I’m a man with complete tranquility…I’ve been a real estate developer for most of my life, and I can tell you that a developer lives with the opposite of tranquility, which is perturbation. You’re perturbed about something all the time. You build your first development, and right away you want to build a bigger one, and you want a bigger house to live in, and if it ain’t in Buckhead, you might as well cut your wrists. Soon’s you got that, you want a plantation, tens of thousands of acres devoted solely to shooting quail, because you know of four or five developers who’ve already got that. And soon’s you get that, you want a place on Sea Island and a Hatteras cruiser and a spread northwest of Buckhead, near the Chattahoochee, where you can ride a horse during the week, when you’re not down at the plantation, plus a ranch in Wyoming, Colorado, or Montana, because truly successful men in Atlanta and New York all got their ranches, and of course now you need a private plane, a big one, too, a jet, a Gulfstream Five, because who’s got the patience and the time and the humility to fly commercially, even to the plantation, much less out to a ranch? What is it you’re looking for in this endless quest? Tranquility. You think if only you can acquire enough worldly goods, enough recognition, enough eminence, you will be free, there’ll be nothing more to worry about, and instead you become a bigger and bigger slave to how you think others are judging you.”

-From A Man in Full, by Tom Wolfe

 

6. East of Eden, by John Steinbeck

 “Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then—the glory—so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished. And I guess a man’s importance in the world can be measured by the quality and number of his glories. It is a lonely thing but it relates us to the world. It is the mother of all creativeness, and it sets each man separate from all other men.”

-From East of Eden, by John Steinbeck

 


From “The Adventures of Augie March,” by Saul Bellow

“Then she pointed. ‘Vous voyez les chiens?’ The dogs of the farm had leaped a brook and were dashing for us on the brown coat of the turf, yelling and yapping. ‘Don’t you worry about them,’ she said, picking up a branch. ‘They know me well.’ Sure enough they did.

They bounded into the air and licked her face.

The trouble was with the spark plugs, which were soon repaired, and I cut out for Dunkerque and Ostend. Where the British were so punished, the town is ruined. Quonset huts stand there on the ruins.

The back of the ancient water was like wolf gray. Then on the long sand the waves crashed white; they spit themselves to pieces. I saw this specter of white anger coming from the savage gray and meanwhile shot northward, in a great hurry to get to Bruges and out of this line of white which was like eternity opening up right beside destructions of the modern world, hoary and grumbling. I thought if I could beat the dark to Bruges I’d see the green canals and ancient palaces. On a day like this I could use the comfort of it, when it was so raw. I was still chilled from the hike across the fields, but, thinking of Jacqueline and Mexico, I got to grinning again. That’s the animal ridens in me, the laughing creature, forever rising up. What’s so laughable, that a Jacqueline, for instance, as hard used as that by rough forces, will still refuse to lead a disappointed life? Or is the laugh at nature—including eternity—that it thinks it can win over us and the power of hope? Nah, nah! I think. It never will. But that probably is the joke, on one or the other, and laughing is an enigma that includes both. Look at me, going everywhere! Why, I am a sort of Columbus of those near-at-hand and believe you can come to them in this immediate terra incognita that spreads out in every gaze. I may well be a flop at this line of endeavor.

Columbus too thought he was a flop, probably, when they sent him back in chains. Which didn’t prove there was no America.”

-From “The Adventures of Augie March,” by Saul Bellow


From “The Adventures of Augie March,” by Saul Bellow

“O observation! We had our struggle on that very thing, it appears to me. The conversation with Thea about living in the eyes of others, I’ve reported. When has such damage been done by the gaze and so much awful despotism belonged to the eyes? Why, Cain was cursed between them so he would never be aware of his look in the view of other men. And police accompany accused and suspects to the can, and jailers see their convicts at will through bars and peepholes. Chiefs and tyrants of the public give no relief from self-consciousness. Vanity is the same thing in private, and in any kind of oppression you are a subject and can’t forget yourself; you are seen, you have to be aware. In the most personal acts of your life you carry the presence and power of another; you extend his being in your thoughts, where he inhabits. Death, with monuments, makes great men remembered like that. So I had to bear Caligula’s gaze. And I did.”

-From “The Adventures of Augie March,” by Saul Bellow


From “The Adventures of Augie March,” by Saul Bellow

“But in this modern power of luxury, with its battalions of service workers and engineers, it’s the things themselves, the products that are distinguished, and the individual man isn’t nearly equal to their great sum. Finally they are what becomes great—the multitude of baths with never-failing hot water, the enormous air-conditioning units and the elaborate machinery. No opposing greatness is allowed, and the disturbing person is the one who won’t serve by using or denies by not wishing to enjoy.”

-From “The Adventures of Augie March,” by Saul Bellow 


From “The Adventures of Augie March,” by Saul Bellow

“Anyhow, I had found something out about an unknown privation, and I realized how a general love or craving, before it is explicit or before it sees its object, manifests itself as boredom or some other kind of suffering. And what did I think of myself in relation to the great occasions, the more sizable being of these books? Why, I saw them, first of all. So suppose I wasn’t created to read a great declaration, or to boss a palatinate, or send off a message to Avignon, and so on, I could see, so there nevertheless was a share for me in all that had happened. How much of a share? Why, I knew there were things that would never, because they could never, come of my reading. But this knowledge was not so different from the remote but ever-present death that sits in the corner of the loving bedroom; though it doesn’t budge from the corner, you wouldn’t stop your loving. Then neither would I stop my reading. I sat and read. I had no eye, ear, or interest for anything else—that is, for usual, second-order, oatmeal, mere-phenomenal, snarled-shoelace-carfare-laundry-ticket plainness, unspecified dismalness, unknown captivities; the life of despair-harness or the life of organization-habits which is meant to supplant accidents with calm abiding. Well, now, who can really expect the daily facts to go, toil or prisons to go, oatmeal and laundry tickets and the rest, and insist that all moments be raised to the greatest importance, demand that everyone breathe the pointy, star-furnished air at its highest difficulty, abolish all brick, vaultlike rooms, all dreariness, and live like prophets or gods? Why, everybody knows this triumphant life can only be periodic. So there’s a schism about it, some saying only this triumphant life is real and others that only the daily facts are. For me there was no debate, and I made speed into the former.”

-From “The Adventures of Augie March,” by Saul Bellow


From “The Adventures of Augie March,” by Saul Bellow

“You can get along twenty-nine days with your trouble, but there’s always that thirtieth day when goddammit you can’t, when you feel like the stinking fly in the first cold snap, when you look about and think you’re the Old Man of the Sea locked around Sinbad’s neck…”

-From “The Adventures of Augie March,” by Saul Bellow


From “The Adventures of Augie March,” by Saul Bellow

“I don’t know how she made out before, when we were alone after the desertion, but Grandma came and put a regulating hand on the family life. Mama surrendered power to her that maybe she had never known she had and took her punishment in drudgery; occupied a place, I suppose, among women conquered by a superior force of love, like those women whom Zeus got the better of in animal form and who next had to take cover from his furious wife. Not that I an see my big, gentle, dilapidated, scrubbing, and lugging mother as a fugitive of immense beauty from such classy wrath, or our father as a marble-legged Olympian.”

-From “The Adventures of Augie March,” by Saul Bellow


From “The Adventures of Augie March,” by Saul Bellow

“Nobody asks you to love the whole world, only to be honest, ehrlich.”

-From “The Adventures of Augie March,” by Saul Bellow


From “The Adventures of Augie March,” by Saul Bellow

“I am an American, Chicago born—Chicago, that somber city and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. But a man’s character is his fate, says Heraclitus, and in the end there isn’t any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.”

-From “The Adventures of Augie March,” by Saul Bellow


From “A Heartbreaking Work of Staggering Genius,” by Dave Eggers

“Just give us our due. I am bursting with hopes of a generation, their hopes surge through me, threaten to burst my hardened heart! Can you not see this? I am at once pitiful and monstrous, I know, and this is all my own making, I know—not the fault of my parents but of my own creation, yes, but I am a product of my environment, and thus representative, must be exhibited, as inspiration and cautionary tale. Can you not see what I represent? I am both a) martyred moralizer and b) amoral omnivore born of suburban vacuum + idleness + television + Catholicism + alcoholism + violence; I am a freak in secondhand velour, a leper who uses L’Oreal Anti-sticky Mega Gel.”

-From “A Heartbreaking Work of Staggering Genius,” by Dave Eggers